Nasty Cherry’s ‘Live Forever’ Video Is An Infectious Slice Of Big Webcam Energy

Cherry Pits, your wait is over.

Since debuting earlier this year with the sleek, ’80s-inspired mini-anthem “Win” and the more contemplative ballad “What Do You Like in Me,” Nasty Cherry have been hard at work. The hybrid British-American band began after some behind-the-scenes matchmaking by Charli XCX (who co-wrote “Win” and co-directed the video) and their music does retain a sonic similarity to some of Charli’s early 2010s work on True Romance.

But as their latest single proves, the quartet are making music all their own. On Friday (August 9), Nasty Cherry returned with the glossy, surging “Live Forever,” which also credits Charli as co-writer and Justin Raisen as producer. They also dropped a new video that they shot themselves. Big 2005 webcam energy incoming.

The self-shot visual is heavy on joy, a fitting complement to the song itself. It centers around the quartet — Gabby on vocals, Debbie on drums, Georgia on bass, and Chloe on guitar — hanging out, giving each other Nasty Cherry tattoos, and hitting the arcade. When they come together to sing the chorus, the camera positioning and infectious attitude they emit radiates the early days of webcam-assisted YouTube uploads. It’s really nice.

In June, Nasty Cherry ran through “Live Forever” as a blazing set highlight at their Brooklyn show after an equally animated cover of ’60s bubblegum-pop classic “I Want Candy.” It’s all part of the patchwork of the band itself.

Though their logistics are still tricky, as Debbie and Georgie live in London while Gabby and Chloe reside in L.A., in July, the four were back together writing again, as they posted on Instagram. When they next find themselves on the same continent, let’s hope they’re working toward cranking out more jams like this one.

Blast “Live Forever” loudly via the new black-and-white video above.

Blueface Links With Offset, Lil Pump, And More For First Project Of 2019

Fresh from being introduced as a member of XXL‘s 2019 Freshman Class, Blueface is on a mission to prove to any and everyone that he is the best lyricist of his generation. He’s released a new EP, Dirt Bag, his first full-length project of the year. What’s better than eight Blueface tracks that could make his case on eight separate occasions? Consisting of both old and new tracks, this looks to be the soundtrack of the end of summer, and quite possibly, a signal that these leisurely months should be extended.

Dirt Bag is a hilarious statement because Blueface has never tried to be the likable, charismatic rapper. He just is and it’s been working tremendously for him so far. So that “anything goes” atmosphere extends to the EP and its collection of lively, uncompromising tunes. It contains the recently released braggadocious cut “Bussdown” that features Offset, the sensual Father’s Day anthem “Daddy‘ with Rich The Kid, and even slightly older records like “Bleed It.” In addition to the previously announced guests, there’s The Game on “Stop Cappin,” Lil Pump on “Bussin,” and Mozzy on “Gang.” It’s a compact package, but one busting out the seams with large personalities and even bigger performances.

Blueface released two mixtapes in 2018, Famous Cryp and Two Coccy. Earlier this year, he was featured on G-Eazy‘s “West Coast” with AllBlack and YG.

Listen to Blueface’s new EP up above.

Rick Ross’s Champagne-Bathing New Album Is Out With Features From Drake, Nipsey Hussle, And More

It has been a long journey since Rick Ross dropped his debut studio album Port Of Miami on August 8, 2006 – a little more than 13 years to be exact. That’s practically forever, and in the time since, Rick Ross has become one of rap’s biggest lyricists, releasing a steady stream of well-received albums that positioned him as a legend. It’s only right that he revisits the album that made this career possible and gives it a proper sequel with Port of Miami 2. The massive LP with guest features from Drake, Swizz Beatz, and more, is out today.

Port Of Miami 2 is only 15 tracks, but it has a whopping 16 features from artists such as Drake, Teyana Taylor, Wale, the late Nipsey Hussle, and more. Ross’s long-running “Maybach Music” song series returns with “Maybach Music VI” which features John Legend and Lil Wayne. The LP also contains the three previously released singles, “Act a Fool”, “Big Tyme” with Swizz Beatz, and “Gold Roses” with Drake. If you’re looking for that special brand of luxury talk that only Ross can deliver, this is the album for you.

Port Of Miami 2 is Ross’s first album in two years. His last release was 2017’s Rather You Than Me. It featured “I Think She Like Me” with Ty Dolla $ign.

Stream Ross’s new album up above.

Megan Thee Stallion Turns Her ‘Hot Girl Summer’ Lifestyle Into A Banger With Nicki Minaj And Ty Dolla $ign

Hot girls, rejoice: the soundtrack to the rest of your summer is here.

Megan Thee Stallion‘s “Hot Girl Summer” arrived on Friday (August 9) after a week-long delay that she promised would be “worth the wait.” To absolutely no one’s surprise, she was completely right — Nicki Minaj and Ty Dolla $ign join her on the soon-to-be smash, the name of which has become an inescapable catchphrase, captioning thirst-inducing selfies the world over and providing a mantra for people’s no-fucks-given summer fun.

The song itself takes those self-empowerment vibes to hype levels, with the Houston rapper firing off instant quotables like, “Should I take your love? Should I take that dick?” Nicki comes through with an equally sizzling verse, and the ever-reliable Ty handles the hook, singing, “Hot girl summer so you know she got it lit.”

Speaking to The Root about the “hot girl summer” lifestyle, Megan explained, “It’s about women and men being unapologetically them, just having a good-ass time, hyping up their friends, doing you, not giving a damn about what nobody gotta say about it.”

“Hot Girl Summer” is Megan’s first solo release since her debut full-length, Fever. She also lent a buzzy feature Chance The Rapper’s album The Big Day, and joined Drake onstage at OVO Festival last weekend. Get into the new track in the video above, and enjoy the animated cover art, which features Megan and Nicki straddling a Hennessy bottle while surrounded by flames. As one does.

Katy Perry’s ‘Small Talk’ Is Here To Soundtrack Those Weird Run-Ins With Your Ex

Katy Perry‘s new single “Small Talk” is here, and from the sound of it, KP5 might be shaping up to be a breakup album for the ages.

The pop star kicked off her fifth album era in May with the heartbreak anthem “Never Really Over,” and “Small Talk” follows in the same vein, as Perry describes that universal awkwardness of interacting with an ex. “Isn’t it weird / That you’ve seen me naked / We had conversations about forever / Now it’s about the weather, okay,” she sings on the slow-building track, which was co-written by pop connoisseur Charlie Puth and features a hilariously brilliant “blah blah blah” bridge. “Had every inch of your skin / There’s nowhere your hands haven’t been / Ain’t it funny, ’cause now there’s nothing left but small talk.”

No sign yet of the track’s official music video, but the single did come with a cute (and Katy-less) lyric vid that chronicles an office romance gone sour. Check it out below.

“Small Talk” arrived on Friday (August 8) on the heels of a shocking verdict in the copyright case against Perry’s “Dark Horse.” It seems like it’s been a rough few weeks for the singer, but at least she’s fixing her focus on new music. And though the album has now been preceded by not one, but two breakup bops, she’s happily engaged to Orlando Bloom IRL, so it’s nice to see that art doesn’t necessarily imitate life.

Ed Sheeran Is Basically A Stranger Things Kid In His ‘Nothing On You’ Video

Ed Sheeran has been particularly generous with music videos in his No. 6 Collaborations Project era, and he returned with another one on Thursday (August 8).

This time, it’s “Nothing On You” — featuring London rapper Dave and Argentinian reggaeton star Paulo Londra — that’s gotten the visual treatment, and it appears Sheeran has been binging Stranger Things lately. How else can you explain these three basically becoming Lucas, Mike, and Will before our very eyes?!

The vid stars the three unlikely collaborators performing inside an abandoned building and taking a late-night bike ride through the streets of London. That nocturnal scenery perfectly fits the song’s futuristic beat and visceral lyrics about a one-night stand: “I got everything I need in this room / Smoke clouds and a scent of perfume,” Sheeran sings from the seat of his two-wheeler.

“Nothing On You” is the sixth video from Sheeran’s star-studded No. 6 album, which topped the charts for two weeks upon its arrival in July. Among the well-connected pop star’s other recent visuals are the Travis-Scott featuring “Antisocial” and the Justin Bieber-assisted “I Don’t Care,” which earned him a VMA nomination for Best Collaboration. Stay tuned to find out if Sheeran’s got more video tricks up his sleeve… he’s certainly been on a roll.

Big Sean Is The World’s Worst Speed Dater In New ‘Single Again’ Performance

One of the hardest things about becoming newly single is adjusting to the world and getting back into the swing of things. Time waits for no one. Big Sean‘s “Single Again” is a song that tackles this from the best possible vantage point: one that yes he’s single, but he’s okay. He performed the number on The Tonight Show Starring Jimmy Fallon last night (August 7) and got creative with the show. Yes he’s single, and possibly still raw from a relationship, but what’s wrong with a little speed dating?

Big Sean’s donned the afro for his performance and the beard. He looked older and wiser because of his experiences, initially bathed in a shadow of a giant clock that wouldn’t stop spinning furiously. Time continues to move on, no matter what the circumstance. He then explores the stage set with a name tag on, determined to visit tow tables with a beautiful woman at each and find a suitor. He takes a rose from one table and ogles at the other, handing her the flower. The floor is then revealed to have hundreds of roses strewn across it, hinting that he’s been here before. Time stops here now that he comes to the realization that maybe he should just be single and refrain from dating. It’s time to explore himself and figure out just who he is.

Big Sean released “Single Again,” with supporting vocals from both Jhene Aiko and Ty Dolla $ign, in July along with his victorious return track, “Overtime.” Earlier this year, he revealed that he took some time off from music to focus on his mental health and that, upon returning, he is now making the best music of his life.

Watch Big Sean be a terrible speed dater in his performance of “Single Again” up above.

Ty Dolla $ign Performs A Warm, Moving Tribute To Mac Miller

August 8, 2018 was a great day. NPR uploaded Mac Miller‘s mesmerizing Tiny Desk performance where he played “Small Worlds,” “What’s The Use?” with Thundercat, and the particularly emotional “2009.” Exactly a year later, NPR has uploaded an epic tribute performance by Ty Dolla $ign, with Thundercat returning as well, to pay homage to the late rapper’s memory. The new five-minute performance of “Cinderella,” Miller’s 2016 collaboration with Ty Dolla $ign, was emotive and warm, led by the singer’s smooth delivery.

Ty Dolla $ign’s tribute was both thoughtful and touching. For starters, he brought the same supporting cast of performers to play that was also present in Miller’s show a year ago. Before the performance began, he had some words to say. “This for the bro Mac right here, man,” he said. “It’s been a year since that last show so I’m honored to be here and do this with my boys.” The sizzling guitars then began to crackle, leading into “Cinderella” kicking off. Ty Dolla $ign led the number with soft-spoken grace, often ceding control of the set to the raging guitars to his left and right. It was a magical moment in time, one which Ty Dolla $ign ended with a few more words Mac Miller’s family. “Shoutout to Mac’s family, shoutout to his parents, shoutout to his sister, I love yall. Shoutout to his fans,” he said while the guitars echoed into infinity.

Ty Dolla $ign recently appeared in the video for “Lies” with Schoolboy Q and YG. In May, he shared “Purple Emoji” with J. Cole.

Watch Ty Dolla $ign’s tribute to Mac Miller up above.

Bon Iver’s Shared Seven New Heartwarming Songs From Their Forthcoming Album

Bon Iver‘s new album i,i will be out on August 30. It’ll be thirteen tracks long and instead of drip-feeding a single or two ahead of its release, as per regular industry-standard, Bon Iver has released seven different songs today: “iMi,” “We,” “Naeem,” “Salem,” “Holyfields,” “Marion,” and “Sh’Diah.” That’s a lot of new music. And it gives a great look at what the album will sound like when it hits streaming services. Exploring these tracks is like trekking through different childhood memories. There’s warmth, chilling temperatures, rising dread, and unexplainable happiness.

“iMi” features James Blake, Aaron Dessner of the National and Big Red Machine, and others. It’s fuzzy and heartfelt with voices laid on voices, an evocative glimpse into the ethereal. Next comes “We” which sounds like the wind in a mountainous cavern. “Naeem” which features Bryan Dessner, Spank Rock, and others, is an early morning sun on the distant country horizon thanks to Vernon’s windy vocals. The witchy atmosphere of “Salem” is next, with its warm, bubbly techno-influenced setting. “Holyfields,” with Wye Oak’s Jenn Wasner and more, is blissfully naked and soul-stirring, amiable with floating vocals that stretch towards infinity. “Marion” is extremely simple and clean and begs to be played around campfires, with marshmallows impaled on sticks. Most recently, he released “Sh’Diah” that retains this warmth and innocence, transitioning from the campfire to the early morning sun, when preparing to go hiking by the river. Each release is a vastly different experience that warms the heart on occasions and invites a chilling feeling in other places, combining for a telling deep dive into Bon Iver’s forthcoming album. It’s going to be an LP about experiences of both warm and cold times.

Bon Iver previously released two tracks, “Hey Ma” and “U (Man Like),” in June that will appear on the forthcoming album. On August 31, a day after the LP drops, they will be heading out on tour in support of it.

Listen to Bon Iver’s seven new songs up above.

DAY6 Open Up About Insecurities, Inspiration, And Learning To Live Life In The Moment

“Five points if you know where that’s from,” vocalist and guitarist Jae tells me over the phone from a conference room in Seoul. It’s the kind of playful remark you’d expect from a 26-year-old raised on the Internet. And spoiler alert: I didn’t get the reference. (To be fair, our connection was a little spotty.) But I don’t need to have an encyclopedic knowledge of memes to understand DAY6, the Korean pop-rock quintet whose guitar riffs and dynamic melodies offer a piercing snapshot into young adulthood and all of its raw, earnest emotion.

Their most recent release, The Book of Us: Gravity, is a mix of genres, sounds, and sentimental lyrics from vocalist and bassist Young K (who’s a credited lyricist on all six tracks). It’s their brightest release today, tonally and melodically. Their energetic lead single “Time of Our Life” captures the exhilarating, heart-pounding feeling of a new romance — or, the start of a “beautiful page of youth,” sings honey-voiced keyboardist Wonpil. From the opening cymbals to the sweeping vocals to the wholesome melodies, the single is a prismatic manifestation of the clarity that comes with a bit of adult perspective. The message itself is uplifting and welcoming.

And while Sungjin, Jae, Young K, Wonpil, and Dowoon are starting a fresh page of their story, The Book of Us proves that you can’t forge ahead without reflecting on where you’ve been.

MTV News caught up with Jae and Young K following the release of the EP to talk about its bright, anthemic sound, their creative process, their insecurities, the book of their lives, and how their fans influenced the direction of the album.

MTV News: If there were a story of your life, what would the title of this chapter be? 

Jae: It would be called “Adjustment.” I’ve been in Korea for seven years, and at first, I did have a lot of difficulty. I still don’t know a lot of things, whether it’s about the language or the culture, even the humor here. Those things confuse me a lot, but I think I’m starting to understand. I’m starting to be able to genuinely and honestly laugh with people when they crack a joke. So, “Adjustment.”

Young K: My title is “Young K.” I’ve been Young K for about four years now. And I think it’s the great chapter of my life, but I honestly don’t know how long it’s going to go on for, and I’m still writing it down. So I guess this point of my life, the chapter would be called “Young K.”

MTV News: When do you feel most creative? 

Young K: At a place where it’s not too quiet. Like for example, [in] cafés with a lot of people. Or when there’s something going on in front of me.

MTV News: Do you often work out of coffee shops?

Young K: Yeah, I use coffee shops quite often. I try to get something from everyday life, so I tend to look around a lot — just when I’m living [my] daily life.

Jae: When I’m in my creative zone, I’m usually — this is really weird — but I always have a sad song on and that just kind of gets the gears going. I don’t know why, it just does.

MTV News: Is there like one sad song in particular you like or one that’s recently inspired you?

Jae: Lately, when I’ve had melody ideas or when I’m thinking of concepts or lines or lyrics or whatever, I’ve had on Post Malone’s “Stay.” I don’t know why, it just works.

MTV News: From an outsider’s perspective, the Every DAY6 part of your career seemed equal parts creatively fulfilling and somewhat exhausting, releasing two songs every month for a year. Did you feel burnt out by it? And how did you power through any creative blocks? 

Jae: Oh, man. Young K’s got stories for you.

Young K: I have? [Laughs] When the company confirmed that we were gonna do the Every DAY6 project, they said they were going to use a lot of the songs that we already wrote. None of the title songs got confirmed, though. So we had to write it again and again and, and by the third month I felt like I was out of it because we already wrote, like, 20 songs before the project started. So I already felt burned out.

Jae: Lyrically, he’s pretty much the main contributor of that whole Every DAY6 era. Melodically, I think the group in general — because we all top-line — we kind of came to a burn-out point around “Shoot Me” because we’d been writing on and off for about two-and-a-half, three years. We just ran out of juice. We started to see a repetition of very similar melodies. That’s where we came to a point where we were like, OK, we got to buckle down, we’ve got to study. We did that for a little bit, and it worked itself out.

MTV News: What do you do when you’re staring at a blank page? 

Young K: Lyrically, I tried reading books, but it didn’t work for me because I’m not a book lover so much. I read a lot of lyrics, and I tend to observe a lot when I’m living — for example, when it rains or when I look at the rain. How would this make someone feel? Or when I’m watching a couple talking in a loving way. I always try to look at a different point of view.

MTV News: On your latest album, The Book of Us: Gravity, each song is like a snapshot at a different stage of life or life experience. At what point after Remember Us did you start working on this next chapter? 

Jae: We’re always writing, so I don’t think the process ever stops for us.

Young K: And, to be honest, two of the tracks on this album were written a long time ago. “Wanna Go Back” was one of the songs that Jae and I were involved in a while ago. That was written for every taste. And “Cover” was written last year.

Jae: When we start writing, we don’t necessarily start from a point where we’re just like, OK, we need to make a song that sounds like this and it needs to talk about this. We’re curious guys, so wherever our curiosity leads just that day or that week, that’s the song that comes out.

MTV News: So for this album, it’s bright. It’s optimistic. How did you decide on that tone? 

Jae: One of the main contributing factors was the fact that during our world tour we were doing concerts and everyone was having fun and everyone was having a really good time, but we felt like maybe we were in need of more concert music. So, like, break points where everyone could just clap, where everyone could start jumping at the same time and scream out certain words. That’s one of the main points in how our album became what it is today. If you listen to “Best Part” or even our title song [“Time of Our Life”], it’s made to be enjoyed at a concert.

JYP Entertainment

From left to right: Dowoon, Jae, Young K, Wonpil, and Sungjin

MTV News: Speaking of “Best Part,” that’s a song that’s all about living in the moment and the real kind of joy and happiness you could feel if you do so. But it’s not always the easiest thing to do, to forget your troubles. Are you, personally, someone who lives in the moment? Or are you more of a worrier?  

Young K: I am the person who lives the moment, who always wants to give my best. Even when I’m on the stage, [or] when I’m preparing for the stage or anything that doesn’t have to do with the stage, like, spending time with my friends, I want to have the best time. All my life, my motto is carpe diem. So I guess I’m that type of guy.

Jae: I said that this point in my life was “Adjustment,” right? And that’s also one of the things that I’m adjusting to. My team is very positive. I think it also has to do with the cultural differences. In America, when you’re 18 and you go to college, you’re kind of just thrown out there, and you start figuring everything on your own. And then you start worrying about life. I’m not saying that people don’t worry in Korea, but I think there’s this understanding that things are going to work out. That’s something that I see in my team, and it’s something that I’m also adjusting to, because to be completely honest, I’m pretty negative. I’m always thinking about the worst things that can happen in situations. But just living with my teammates, I’ve been learning to live life in the moment. If I think positively then positive things are gonna happen.

MTV News: I like that the album starts with “For Me” because in a lot of ways it’s the most personal song. It’s a song to yourself, a song that acknowledges your shortcomings in an effort to get to this place of self-love. Is there something that you used to be really insecure about that now, with a little time and understanding, you really admire or love about yourself? 

Young K: Actually, my appearance. The way I look, like, my face.

Jae: What’s wrong with your face?

Young K: Even when I was young, I got a lot of opinions that I intimidate people. Some people might say I don’t look nice when I talk [or] when I don’t smile — that I always look angry. That’s why I practice smiling in front of the mirror. But then I realized that it’s actually a good thing because people tend to not take me easily. Also, at the same time, when we’re doing a photoshoot, I can give out a very strong image. All I have to do is just not smile and look at the camera.

I found out that everybody has strengths and weaknesses. And if you have a weakness you can work your way to kind of cover it or have make that weakness be smaller.

JYP Entertainment

A smoldering look from Young K

MTV News: Jae, were you intimidated by Young K when you first met him? Did you think he looked mean?

Jae: Straight up. If you don’t know him, then you don’t know that on the inside he’s smiling. You gotta understand he’s always smiling on the inside. It’s just on the outside it’s a plain expression. His features are so sharp that they look like they’re glaring at you, but they’re not. It’s a misunderstanding. He’s completely innocent.

MTV News: Jae, what’s something that you were used to being insecure about but now you’re like, “You know what? I love that part of me.” 

Jae: See that’s where I go back to “Adjustment.” Because I’m still trying to adjust to that positivity part. I don’t think I’ve matured enough to understand that my flaws are actually my strengths. There is the fact that I’m not good at Korean, and that sometimes when I get asked hard questions I can just act like I don’t know what they’re talking about.

MTV News: I saw you tweeted a few months ago that you wanted to be better at live vocals. Has your voice ever been an insecurity of yours? 

Jae: I don’t think an artist’s ever satisfied, leaving a stage thinking, oh, that was a top performance. They’re not thinking about how good it was. They’re thinking, I messed this part up, I messed this part up, that part wasn’t good. So I’m just not there yet. I think I need some work. I’ll get there.

MTV News: I love that you gave Dowoon a fan-favorite vocal part in “Wanna Go Back.” Was that always part of the song?

Young K: It was just that part was supposed to be an octave lower. It’s very low. So who has a low voice on our team? Dowoon. So Dowoon was called.

Jae: Young K always has a master plan. So when he’s writing lyrics, he’ll try to write the lyrics to adjust to how we sing.That’s also something he’s really good at — our vocabulary, the way we pronounce things, what we’re good at. I think we’re always trying to include Dowoon.

Young K: Low voice equals Dowoon.

MTV News: That song had originally been written for Every DAY6. What was it like to revive it for this album?

Young K: It fit the vibe of the entire album, which is very bright. It’s got an upbeat tempo. And the message it’s giving out about how you want to go back to the simple days [of youth] but since I can’t, I will just miss it. We wanted to write about human relationships, and in order to start a very healthy relationship, we felt like we need to know ourselves better. And “Wanna Go Back” would be the song that looks back on your life.

MTV News: What was something you wanted to be when you were a kid? Did you always want to be rock stars or did you have other dreams?

Young K: Singer wasn’t one of it.

Jae: Definitely not.

Young K: Not for us. Wonpil definitely wanted to be a singer.

Jae: Yeah, Wonpil knew. He knew from his youth.

Young K: I think that at one point, for a very short period period of time, I wanted to be a KBL [Korean Basketball League] player, but realized that cannot happen. And then I wanted to be working in stock management. I thought that was a really cool job. But here I am.

Jae: I went back and forth. Singing was never really a thing that I thought was a serious profession. I don’t think it ever is for anybody. All the artists that we’ve spoken to or that I know kind of just one day closed their eyes and opened them and they’re just here. That’s kind of what happens. I feel like we’re really fortunate. But for me, I was going to college, and before I came to Korea, I really wanted to be in the UN. So I’m kind of a dreamer, right? I either wanted to be in the UN or I wanted to lobby for somebody because I like arguing. So that was my thing. I started interning at an MPO, trying to network, [and] then I opened my eyes, and I was in Korea.

MTV News: September will mark your four-year anniversary as DAY6. What is the biggest change that you’ve seen in the group since you’ve made your debut?

Jae: I think our teamwork.

Young K: The team has to be thought as a whole. The team includes five individuals, but at the same time it’s considered as one. Dowoon came in only a few months before our debut. Having that one [new] person in the group completely changes a lot. Even musically. So our teamwork on the stage and off stage, we know each other better now.

Jae: When writing songs in the beginning — because everyone’s fresh, we’re young, we’re ambitious — parts play a big role. But then after writing songs together for this long, you come to the realization at some point that your part doesn’t matter and that whoever sounds best on that part is the best result. The competition within the team doesn’t really matter at all. After our second album everyone stopped caring about parts and we just saw the song as something that needs to be good.